Pusha T-------Lunch Money
Kanye West drops the foundation beat to the awesome Pusha T joint with dope visuals on Lunch Money.
Showing posts with label Kanye West. Show all posts
Showing posts with label Kanye West. Show all posts
Thursday, December 18, 2014
Monday, November 25, 2013
Busta Rhymes-------Thank You (Offical Video)
Busta Rhymes featuring Q-Tip, Kanye West and Lil Wayne-------Thank You (Offical Video)
Busta Rhymes is doing something very serious here. Bus-a-Bus put the visuals to the self produced track Thank You featuring Q-Tip, Kanye West and Lil Wayne from the anticipated forthcoming album Extinction Level Event 2.
Thursday, November 7, 2013
Busta Rhymes-------Thank You
Busta Rhymes featuring Q-Tip, Kanye West and Lil Wayne-------Thank You
Busta Rhymes is taking matters into his own hands and self produced the track "Thank You" as he brings Q-Tip, Kanye West and Lil Wayne to hop on the track sampled from Alicia Myers. Busta also directed the video coming out soon as this track will be on his latest opus Extinction Level Event 2.
Busta Rhymes is taking matters into his own hands and self produced the track "Thank You" as he brings Q-Tip, Kanye West and Lil Wayne to hop on the track sampled from Alicia Myers. Busta also directed the video coming out soon as this track will be on his latest opus Extinction Level Event 2.
Wednesday, October 2, 2013
Pusha T----Hold On
Pusha T featuring Rick Ross and Kanye West----Hold On
I'm convinced that the new Pusha T album is going to be bananas. This is another track from Pusha T's solo debut opus My Name is My Name dropping in October. This is "Hold On" featuring Rick Ross and Kanye West produced by Hudson Mohawke.
I'm convinced that the new Pusha T album is going to be bananas. This is another track from Pusha T's solo debut opus My Name is My Name dropping in October. This is "Hold On" featuring Rick Ross and Kanye West produced by Hudson Mohawke.
Sunday, June 16, 2013
Kanye West----Yeezus
Kanye West-Yeezus-Roc-a-Fella-(2013)
Artist: Kanye West
Album: Yeezus
Label: Roc-a-Fella/Def
Jam
Producers: artist, Daft Punk,
Travis Scott, others
The
ever controversial Kanye West (both good and a bad way) has made a lot of
strides in the industry. Starting off producing for Beanie Sigel, took a small
hit and come back as one of the most charismatic performers in the industry. He
literally took a scene from accepting mistakes and converted them into
successes. Album after album has been classic or never classic. From the
groundbreaking debut “The College Dropout”,
continuous well packaged “Late Registration”
and the most recognized “Graduation”,
I can run down the whole listen of the full term paying your dues. Can Kanye
impressed the fans with the controversial cover and musical content to “Yeezus”
Actually, the musical content on
this album is based on musical experimentation. The album starts off great as
the different sounds actually fit the album. The diversity of the album is
excellent strategy as hip hop has evolved. Take the electronic influenced “On
Sight” produced by French production team Daft Punk. This track starts off energetic
and keeps you on your toes as Ye spits that fire: soon as I pull and park the
benz/ we get this bitch shakin’ like parkinsons/take my number and lock it in/Indian
hair, no moccasins. “New Slaves” featuring Frank Ocean has another different
sound that fits the bill where Ye speaks his version of the new slave mentality
on materialism and racism.
However, too much experimentation
can suck the energy out of the album. Take “Hold Mhy Liquor” featuring Chief
Keef and Justin Vernon. Although the guitar sound is innovative, it’s really
forgettable with the annoying auto tune voice. Same thing with “Blood on the
Leaves” even though the bassline is sick the auto tune voice throws the momentum
off and “I’m On It” featuring Travis Scott sound very bland with a monotonous
sound. The album does pick it with an awesome production sound on “Send it up”
featuring King L. Although the lyrics are simplistic, it goes well with that
hard bass line; sometimes simplistic actually works. Now to end the album is
with a funky soul influenced “Bound” featuring Charlie Wilson that wrapped the
ending of the album perfectly.
This
album can be a hit or miss production wise; it's a good effort but falls miserably short from what we're looking for. Kanye fans wished to have an album entirely
produced by Ye but this album can go both ways. Daft Punk did an incredible job
with the production that heightens Kanye musical selection choice. Kanye has
bridge the borders of experimentation that makes hip hop listenable. Now,
people can’t assume because they are not feeling the album they are stuck in
the 90’s boom bap wave. After a couple of listens maybe the album can grow on
people. I don’t think “don’t knock it unless you try it” phrase stays with the
taste of music; just pick and choose your way to things. Maybe artists can
learn from Kanye West musically diversity on this album or stick to what they
know. It’s a tough battle when critics can either say evolve with your musical
talent or just stay in your lane because the new formula simply doesn’t work.
To each your zone, Yeezus can keep people interested through some tracks while
pressing the skip button on others. It just works that way!
Strong
Tracks: “On Sight”, “New Slaves”, “Send it Up”, “Bound”
Average
Tracks: “Blood on the Leaves”, “I’m On It”,
Weak
Tracks: “Hold My Liquor”
Rating:
Subscribe to:
Posts (Atom)




